VR Installation at TIFF Lightbox Building Gallery for Pride Month in Toronto

Inside Out Festival is partnering for the first time with The Toronto International Film Festival to bring Queerskins: a love a story for a month long installation in the beautiful gallery at the Lightbox building. This is our first time in a proper gallery space as opposed to film festival venue and we are so thrilled to have this opportunity. The installation will feature photographs  by Tagger Yancey IV of Tribeca participants (see prior post) and also an interactive, immersive installation in which we attempt and fail (a little) to domesticate the gallery space.  QueerskinsTribeca04_TaggerYanceyIV_6419QueerskinsTribeca04_TaggerYanceyIV_6396QueerskinsTribeca04_TaggerYanceyIV_6359QueerskinsTribeca03_TaggerYanceyIV_6208QueerskinsTribeca02_TaggerYanceyIV_5868QueerskinsTribeca01_TaggerYanceyIV_5811QueerskinsTribeca01_TaggerYanceyIV_5787QueerskinsTribeca01_TaggerYanceyIV_5636

Photographs Created at Tribeca Film Festival Featured at Seattle International Film Festival

 

Queerskins is a crowd-sourced photography project inspired by the interactive narrative and virtual reality experience, Queerskins: a love story (www.queerskins.com). In the VR experience, participants construct the semi-fictional character of Sebastian, a young gay physician from a rural Catholic Missouri family who dies of AIDS in 1990, by interacting with a box of his belongings, photographs and a diary. Commissioned by The Tribeca Film Festival, where the work premiered, we created an immersive interactive installation, a recreation of Sebastian’s childhood attic bedroom, transformed by imagination and memory. We asked visitors to consider their own stories of love and loss, and, as they went through the installation, to find an object that spoke to this. Tagger Yancey then photographed them in communion with the objects and invited them to share, in writing, the object’s personal significance. These are the photographs and stories which you will find in this book.

We did not anticipate how deeply and personally the act of choosing and object and being photographed would affect people. By creating a temporary shared, but solitary experience in which shame, the loss of love and acceptance, and transcendence intermingle and are made visible, Queerskins created a safe space for emotional contemplation. We are still trying to understand how this combination of the virtual and the real generated such an open and intense exchange with strangers. We are grateful and honored that our art has been a catalyst for this.

 

 

Installation Photos Tribeca Film Festival

The installation at Tribeca recreates the childhood attic bedroom of Sebastian, the young gay physician from a rural Catholic Missouri family who dies of AIDS in 1990, who is the main and missing character in Queerskins: a love story. It came to me in a period of a few days and tens of hours online looking through Home Depot and Lowes , Amazon, Etsy (where the handmade purple taffeta rose bridal runner came from for the Drag Hallway) and, of course, eBay.  We could not have done this without Cory Allen, our DP from the Queerskins shoot, who did the theatrical lighting for this including creating fake windows in the attic.

The installation is historically accurate and meticulously curated which gives it such realism that many people truly thought Sebastian was real. He is to me. I wrote 40,000 words of his diary basing him on my own experiences with HIV patients and my own research and also my own biography.

 

Soft Launch of “if I could have anyone”

We did a soft launch at my apartment this weekend. It was a magical moving experience. When you crowdsource a project, it finds its own energy. I thought this would be about hope and love and faith in the future, but most of the objects donated have to do with   loss of love, youth, dreams. The evening was both a kind of collective mourning, not heavy, the weight of a sigh. But, I realize that renewal requires that recognition of loss to make a space for something else. So it was melancholy, but not sad, and also joyous and slightly electric. It was unexpectedly profound and I thank everyone for donating. If you’s like to participate, send your small meaningful object with a short description of its significance, history or imagined future history to PO Box 1279, NY NY 10113. Include your name and address (we will not reveal it) and you will get a photo of your object in communion with a “lover.”  Note: objects will not be returned. Follow on Instagram @gameoflovex3 Photos by Tagger Yancey.

 

if I could have anyone in the world, it would still be you (gameoflovex3)

 

spahr poem pinterist

We are in talks with a Canadian film festival to put on this new project, curated by Tansy Xiao  with Queerskins: a love story for VR. Hopefully, we will be presenting it at Tribeca VR Arcade as well. Although it is very simple, the impact can be quite profound. What you realize is that as we move more and more into the virtual, objects–the weight, color, smell, patina of materials become even more powerful.

This crowd-sourced project explores and encourages expanded forms of intimacy enabled by the Internet and social media platforms. Appropriating these procedures not only as part of their art-making but also as a means of distribution, the artists celebrate the willingness of strangers to give of themselves to others. Importantly, they, re-introduce the awkward, fragile condition of embodiment (both in terms of material objects and the bodies of those who receive the gifts) as a catalyst and reservoir for generating discomfort, surprise, and delight.
The project itself is a hybrid machine that moves between virtual, imagined realities and material/historical ones. It is a kind of game played by three people that begins with a donor imagining the perfect lover, the lover who will accept and love her exactly as she is The donor offers some object meaningful to her that she hopes will be received with perfect understanding and requisite respect and honor. The stranger has the same idea, and chooses the object that best resonates with her as a gift given by her dream lover. She then displays it/communes with it upon or in her body with all the reverence and love that she feels or wishes she felt. In this way, the object becomes a transitory prosthesis (touch deferred)  or else the stranger becomes a queer skin (in video game terms) for that object. This act, then in the form of a photograph (facilitated by the artists) posted on Instagram, becomes her gift in return. The donor and the stranger will likely never meet, but they have shared something incredibly intimate which is both materially real and entirely imagined.
Loosely inspired by the multimedia narrative Queerskins (www.queerskins.com), which tells the story of a young gay physician from a rural Catholic Missouri family who dies of AIDS in 1990, the project asks participants and viewers to consider what happens to the concept of love when the dangers and pleasures of material exchange are eschewed in favor of virtual transmission.
We have two events in February featuring photographer Tagger Yancey
February 14th 6-10 pm at Sensei Gallery, NYC
February 17th 6-10 pm at Arete Gallery Brooklyn
Please join us as a donor or lover or both.